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Zahra
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Meet
some of our current members:
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Katiyja ~ Founding Mother, CEO
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Katiyja
saw her first Middle Eastern style dancer at
Zorba the Greek’s in
Sacramento, CA and knew she had to learn this dance. She first began
taking classing in 1976 through Juneau Community Schools with Dorie
Swanson
and later with Odette Foster. She expanded her studies to Jamila
Suhaila
Salimpour’s week long workshop in San Francisco where classes
were also
taught by Aida.
Later Katiyja studied with Badawia, Amir, Delilah, Dahlena, Bert
Baladine, Beatta Zadow, Samisha, and Morocco, as well as many others
and had the chance to meet the musicians of Emerald Nights as well as
see
George Abdo’s orchestra perform live. Katiyja took private
lessons from
Jodette in Sacramento, who turned out to be the instructor of that
first
dancer she had seen years before!
Katiyja has performed nationally and internationally: throughout
Southeast Alaska, Seattle, Portland, Yakima, San Francisco, Boise,
Whitehorse, the Caribbean, London. She has performed at Rakassah, at
Fantasia, on
cruise ships and the Alaska ferries, in gymnasiums, bowling alleys,
private
clubs and lodges, saloons, private homes, gardens, beaches, hotels,
civic
centers, and in the Office of the Governor of the State of Alaska!
Katiyja began teaching for Juneau Community Schools in 1981 with Diana
Ground. In 1999 she added a small dance studio to her home
where she
continues to teach and the troupe meets to rehearse. As CEO
of The Daughters of the New Moon she encourages and assists troupe
members in seeking a wide variety of instructors and says, “I
encourage my dancers to recognize their own beauty and talent, make
lasting friendships and
expand their horizons through this dance.”
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Tara
~ Troupe President |
Tara took her
first belly
dance class as a way to firm up after the birth of her eldest child
(he’s now in his 30s) but didn’t get serious until
her best friend convinced her to join her in dance lessons, taught by
Katiyja & Diana of the Daughters of the New Moon, in
1993. She continues to dance because, once the drums beat and
the zills ring, some part of her always feels the need to
move. And what better, socially acceptable outlet could there
be for this compulsion than to share it with her
sisters-in-dance?
Tara credits dancing with giving her
lifelong comrades, self esteem, and a reason to collect far more fabric
and costumes than any decent person should own. |
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Rhiannon
~ Troupe Treasurer, Instructor
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Rhiannon
became interested in bellydancing in Juneau in the early
90’s, when she and her sister would watch Daughters of the
New Moon rehearse in the commons at community schools right before
their square dancing class, dreaming of the day that they could be part
of the bellydance group too.
Ten years later Rhiannon got her chance, when she heard from an old
friend (also a former member of the square dance group) that she could
take bellydance classes from those same women she used to watch. And
the rest, as they say, is history. Rhiannon took her first class in the
fall of 2002, her first
workshop after two weeks of classes, and began dancing with the troupe
the
following summer.
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Kalirah
~ Instructor
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Kalirah began dancing early in life
with lessons in various styles of ballroom, country, and folk dancing;
which would stand her in good stead when she began to
bellydance. In 1999, she was finally able to fulfill a
longtime
wish and took her first bellydance
lessons through Daughters of the New Moon. Kalirah quickly
adapted
to the dance and came to love the movements and musical
interpretation inspired by Middle Eastern rhythms and dance.
With the Daughters of the New Moon Kalirah has been able to realize her
desire to teach and takes great joy in introducing her
students to
her
chosen art form.
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Ati
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Ati began
studying Middle Eastern dance when she
was 13 years old in Southern Oregon with Lou Estes. She
danced with women
and girls of all ages and loved watching women in different phases of
life
dancing together. Since then Ati has also enjoyed studying African,
modern, and
Latin dance forms. 10 years later Ati found her
way back to
Middle Eastern dance through the Daughters of the New Moon. |
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Ayita
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Ayita
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Cinefra Bahouti
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Cinefra was
introduced to Middle Eastern dance in 1992 by Judy Kennedy,
one of
the members of Daughters of the New Moon, while they were performing a
gold rush saloon show. Realizing that ballet would become too
strenuous at a certain age, Cinefra took private lessons for
a couple of months, then joined the group for classes and
started
performances in 1994.
Dance has always been a great joy in Cinefra's life and she hopes to
continue with this particular form for the rest of her life.
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Kalila
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Kalila began
studying Middle Eastern dance in
2001 by taking courses offered through Daughters of the New Moon and
taught by Katiyja and Diana. In 2005 she began dancing
regularly with the troupe.
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Marjahn
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Marjahn
came to the troupe with an extensive background in ballet. A
former ballet teacher in Juneau, Marjahn would wonder on the multiple
occassions that she found stray beads and sequins in the dance space.
Once she joined the troupe in 2010, Marjahn solved that small
riddle: bellydancers had been performing there again! |
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Rahil
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Rahil was
introduced
to Middle Eastern dance in her hometown community schools program in
Chugiak, Alaska. She started lessons in earnest in
1988 while attending Michigan State University and has danced with
various troupes since then.
Rahil has been a member of the Habibi Dancers in Michigan, the Beledi
Dancers in Brisbane, Australia, Haffi Hareem in Anchorage, and is now
fortunate to be a part of Daughters of the New
Moon. Primary influences are Artemis (Turkish
style), Rahya Hassan (Egyptian), Morroccan Shikat,
and Cassandra Shore (Egyptian Saidi).
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Xenaqui
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Xenaqui has
been a wandering Daughter since 1996 and returned to the troupe in the
spring of 2010. She has had no formal training in any other style of
dance although she enjoys all forms of dancing. Xenaqui looks forward
to eventually choreographing group dances but at the moment is simply
enjoying the freedom dance gives her and spending time with her dance
sisters. |
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Zahra
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Zahra first
starting dancing in, of all places, the fishing village
of Pelican. This was many moons ago, self-teaching herself, along with
two other women. As life does, there was a large gap of time where she
wasn’t able to dance. Zahra returned to dance in 2002 by
taking the Amaya workshop sponsored by the Daughters of the New Moon.
There were too many gaps in her dance knowledge to do anything else but
start over at the beginning by taking lessons offered through the
Daughters of the New Moon. Zahra was invited to join the troupe in
January of 2006 and has been dancing with them ever since. |
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Meet some of our inactive troupe
members.
What do the different memberships
statuses mean? |
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