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Meet some of our current members:

       
Katiyja ~ Founding Mother, CEO
Katijya, one of the troupe's founding mothers, dancing with zills and skirt-work.     Katiyja saw her first Middle Eastern style dancer at Zorba the Greek’s in Sacramento, CA and knew she had to learn this dance. She first began taking classing in 1976 through Juneau Community Schools with Dorie Swanson and later with Odette Foster. She expanded her studies to Jamila Suhaila Salimpour’s week long workshop in San Francisco where classes were also taught by Aida.

Later Katiyja studied with Badawia, Amir, Delilah, Dahlena, Bert Baladine, Beatta Zadow, Samisha, and Morocco, as well as many others and had the chance to meet the musicians of Emerald Nights as well as see George Abdo’s orchestra perform live. Katiyja took private lessons from Jodette in Sacramento, who turned out to be the instructor of that first dancer she had seen years before!

Katiyja has performed nationally and internationally: throughout Southeast Alaska, Seattle, Portland, Yakima, San Francisco, Boise, Whitehorse, the Caribbean, London. She has performed at Rakassah, at Fantasia, on cruise ships and the Alaska ferries, in gymnasiums, bowling alleys, private clubs and lodges, saloons, private homes, gardens, beaches, hotels, civic centers, and in the Office of the Governor of the State of Alaska!

Katiyja began teaching for Juneau Community Schools in 1981 with Diana Ground.  In 1999 she added a small dance studio to her home where she continues to teach and the troupe meets to rehearse.  As CEO of The Daughters of the New Moon she encourages and assists troupe members in seeking a wide variety of instructors and says, “I encourage my dancers to recognize their own beauty and talent, make lasting friendships and expand their horizons through this dance.”



          Tara  ~ Troupe President
Troupe Member Tara.     Tara took her first belly dance class as a way to firm up after the birth of her eldest child (he’s now in his 30s) but didn’t get serious until her best friend convinced her to join her in dance lessons, taught by Katiyja & Diana of the Daughters of the New Moon, in 1993.  She continues to dance because, once the drums beat and the zills ring, some part of her always feels the need to move.  And what better, socially acceptable outlet could there be for this compulsion than to share it with her sisters-in-dance? 

Tara credits dancing with giving her lifelong comrades, self esteem, and a reason to collect far more fabric and costumes than any decent person should own.


          Rhiannon  ~ Troupe Treasurer, Instructor
Rhiannon, Troupe Treasurer      Rhiannon became interested in bellydancing in Juneau in the early 90’s, when she and her sister would watch Daughters of the New Moon rehearse in the commons at community schools right before their square dancing class, dreaming of the day that they could be part of the bellydance group too.

Ten years later Rhiannon got her chance, when she heard from an old friend (also a former member of the square dance group) that she could take bellydance classes from those same women she used to watch. And the rest, as they say, is history. Rhiannon took her first class in the fall of 2002, her first workshop after two weeks of classes, and began dancing with the troupe the following summer.



          Kalirah  ~ Instructor
Troupe Instructor Kalirah with cane.      Kalirah began dancing early in life with lessons in various styles of ballroom, country, and folk dancing; which would stand her in good stead when she began to bellydance.  In 1999, she was finally able to fulfill a longtime wish and took her first bellydance lessons through Daughters of the New Moon.  Kalirah quickly adapted to the dance and came to love the movements and musical interpretation inspired by Middle Eastern rhythms and dance.

With the Daughters of the New Moon Kalirah has been able to realize her desire to teach and takes great joy in introducing her students to her chosen art form.



          Ati
Troupe Member Ati.     Ati began studying Middle Eastern dance when she was 13 years old in Southern Oregon with Lou Estes.  She danced with women and girls of all ages and loved watching women in different phases of life dancing together.  Since then Ati has also enjoyed studying African, modern, and Latin dance forms.  10 years later Ati found her way back to Middle Eastern dance through the Daughters of the New Moon.


          Ayita
Troupe Member Ayita.     Ayita


          Cinefra Bahouti
Troupe Member Cinefra Bahouti balancing a basket.     Cinefra was introduced to Middle Eastern dance in 1992 by Judy Kennedy, one of the members of Daughters of the New Moon, while they were performing a gold rush saloon show.  Realizing that ballet would become too strenuous at a certain age, Cinefra took private lessons for a couple of months, then joined the group for classes and started performances in 1994.  

Dance has always been a great joy in Cinefra's life and she hopes to continue with this particular form for the rest of her life.



          Kalila
Troupe Member Kalila during a water jug dance.     Kalila began studying Middle Eastern dance in 2001 by taking courses offered through Daughters of the New Moon and taught by Katiyja and Diana.  In 2005 she began dancing regularly with the troupe.


          Marjahn
Troupe Member Merjahn with veil.     Marjahn came to the troupe with an extensive background in ballet.  A former ballet teacher in Juneau, Marjahn would wonder on the multiple occassions that she found stray beads and sequins in the dance space.  Once she joined the troupe in 2010, Marjahn solved that small riddle: bellydancers had been performing there again!


          Rahil
Troupe Member Rahil playing finger cymbals.     Rahil was introduced to Middle Eastern dance in her hometown community schools program in Chugiak, Alaska.   She started lessons in earnest in 1988 while attending Michigan State University and has danced with various troupes since then.  

Rahil has been a member of the Habibi Dancers in Michigan, the Beledi Dancers in Brisbane, Australia, Haffi Hareem in Anchorage, and is now fortunate to be a part of Daughters of the New Moon.   Primary influences are Artemis (Turkish style), Rahya Hassan (Egyptian), Morroccan Shikat, and Cassandra Shore (Egyptian Saidi).


          Xenaqui
Troupe Member Xenaqui with veil.     Xenaqui has been a wandering Daughter since 1996 and returned to the troupe in the spring of 2010. She has had no formal training in any other style of dance although she enjoys all forms of dancing. Xenaqui looks forward to eventually choreographing group dances but at the moment is simply enjoying the freedom dance gives her and spending time with her dance sisters.


          Zahra
Troupe Member Zahra with veil.     Zahra first starting dancing in, of all places, the fishing village of Pelican. This was many moons ago, self-teaching herself, along with two other women. As life does, there was a large gap of time where she wasn’t able to dance. Zahra returned to dance in 2002 by taking the Amaya workshop sponsored by the Daughters of the New Moon. There were too many gaps in her dance knowledge to do anything else but start over at the beginning by taking lessons offered through the Daughters of the New Moon. Zahra was invited to join the troupe in January of 2006 and has been dancing with them ever since.



Meet some of our inactive troupe members.

What do the different memberships statuses mean?



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